Ten Questions with Jeni Houser

Ten Questions with…







Jeni Houser, soprano
Ensemble
in Acis and Galatea










1. My favorite thing about being a singer is: 

The variety of the job. It is exciting to work on different styles of music, learn numerous languages, create different characters, think about how my body works, and study with experts in each of those fields.

2. The greatest challenge in being a singer is:

I think it may end up being the amount of travel. It is difficult to feel settled and have things like pets and a garden when so much of your career involves performing in different places. So far, that’s a great part of the adventure, but I do hope to have a dog and kids someday.

3. A live music performance I’ve attended that I will never forget is:
The Luther College Nordic Choir came to town when I was in high school and did a concert. Very different style of singing than I do now, but the goosebumps are the same.

4. A few of my favorite films are:
Singing in the Rain, The Sting, Best in Show, The Philadelphia Story.
5. Three things I can’t live without are:
A good book to read, great friends to spend time with, and the support of my family.

6. My number one hobby is:
Playing board games or running.

7. If you could perform with any singer, retired or deceased, who would it be?
Beverly Sills.

8. If you weren’t a singer, what profession would you be in?
Teaching.

9. What role do you wish you could sing that you could never sing because it’s the wrong voice type/gender?

So many baritone/bass-baritone roles! Figaro (in 2 operas), Don Giovanni, Rigoletto, Scarpia in Tosca, the four villains in The Tales of Hoffmann, Fritz in Die Tote Stadt, to name a few.

10. Describe your favorite moment on stage.
I had a great time trying not to crack up when I was playing Olympia, the mechanical doll, in The Tales of Hoffmann. The staging had all of my colleagues playing semi-mechanical goofy characters who were incredibly excited every time the doll moved. As I would walk toward one side of the stage, they would wave and grin at me, being as silly as possible, and it took a lot of effort not to break character the first few times. Good colleagues make lots of performing moments wonderful.

Bonus: One question you wish someone would ask you (and the answer).
What is your favorite food?

Whole steamed artichokes – dip the leaves in butter before scraping off the yummy stuff with your teeth, then remove the choke when you get to it and dip the heart in the butter. Heavenly.


See Jeni in Madison Opera’s production of Handel’s Acis and Galatea January 10-13 in The Playhouse at Overture Center. Tickets start at just $20, but they’re going fast!

Madison Opera’s 2013/14 Production Dates


The 2012/13 Season is in Full Swing

We just concluded a successful production of Verdi’s A Masked Ball (October 26 & 28, 2012), and the 2012/13 season continues with Handel’s Acis and Galatea (January 10-13, 2013) and Mozart’s Don Giovanni (April 26 & 28, 2013). It’s a Season of Temptation you don’t want to miss!

The 2013/14 Season is in the Works
The 2013/14 repertoire will be announced in April 2013, but go ahead and plan for an exciting season by saving these dates on your calendar:

Fall production      |  November 1 & 3, 2013 in Overture Hall
Winter production |  February 7 & 9, 2014 in Capitol Theater
Spring production |  April 25 & 27, 2014 in Overture Hall

A Masked Ball | In Review

Reviews
Madison Opera’s ‘A Masked Ball’ elegant, understated (Rena Archwamety, 77 Square)

Madison Opera Has a Ball Unmasking Verdi (Greg Hettmansberger, Madison Magazine) 
  
Madison Opera’s A Masked Ball is a beautiful display of Verdi’s power and passion (John Barker, The Isthmus)

Madison Opera’s successful production…is an auspicious beginning to the tenure of its new General Director Kathryn Smith (Jacob Stockinger, The Well-Tempered Ear)

Madison Opera’s “A Masked Ball” is Masterful (Mike Muckian, Culturosity) 

Great Singing, Familiar Plot (William R. Wineke, Channel3000.com)
 

Ten Questions with Alexandra LoBianco

Ten Questions with…

Alexandra LoBianco, soprano
Amelia
in A Masked Ball



1. My favorite thing about being a singer is: 
Being the vessel for this incredible sound. It’s a thrill to realize you’re a human amplifier. I also love the journey that opera allows us to take through theater and sound. The vibration of the human voice is completely unique and healing. I love the whole process.
2. The greatest challenge in being a singer is:
It’s tough being on the road away from your family all the time. Finding ways of bringing home with you and making each place a new home.
3. A live music performance I’ve attended that I will never forget is:
Most definitely seeing Patti Lupone in Gypsy on Broadway, the first time I went to the Metropolitan Opera, and Garth Brooks. Gypsy was just mind-blowing. I hadn’t had goose bumps like that in years. Patti Lupone was so committed to her character and to the audience to take them with her. I learned so much that night. The Met was Cavallerica Rusticana / Pagliacci when I was in high school and I thought I was going to be a professional clarinetist. My parents were amazing enough to get seats close enough so I could see in the pit, but during that show, my eyes shifted from the pit to the stage, and I fell in love with opera. It wasn’t till a few years later that I even started to think I had potential to be an opera singer. Garth Brooks, well, that was just an incredible concert. What an amazing performer and showman. That and he’s just so dang cute! 
4. A few of my favorite films are:
I admit I’m in many ways a total kid when it comes to my movies. Cartoons make me happy. How to Train Your Dragon, Shrek, The Lion King, Up, etc.. I also love movies like Chocolat, Amélie, Braveheart, Batman, The Avengers. I’m a little eclectic in my movie choices. When I’m watching movies it’s generally a mental break time for me. 
5. Three things I can’t live without are:
My family, a kitchen, and sadly my iPhone. I hate to even admit that last one but with all my traveling right now it’s much easier to keep in touch and in the loop… I’m thinking of upgrading to an iPad… My family and friends for obvious reasons. They are my rock and the amazing support system that keeps me sane. The kitchen, sigh, I love cooking and making all these crazy concoctions to eat. I rarely use a recipe except as a guideline but I swear it’s usually pretty darn good. 
6. My number one hobby is:
Cooking!!! So if anyone wants to share their kitchen with me while I’m in Madison I’d be happy to make you dinner!! I also love to read and – when I have the time and money – ride horses. I’m also kind of a beer enthusiast and I hear there are some amazing beers in Wisconsin, so I can’t wait to try them! 
7. If you could perform with any singer, retired or deceased, who would it be?
The list could go on for pages and pages. Living, it would be my teacher and mentor, Carol Kirkpatrick. It would have been an honor to share the stage with this amazing woman. I’d happily sing Chrysothemis to her Elektra! Also living I would have died and gone to heaven to share the stage with Elinor Ross. I’d also say Mario Del Monaco, Rosa Ponselle, Dame Eva Turner, Leonard Warren, Laurence Melchior, Leonie Rysanek, Franco Corelli, Zinka Milanov… Like I said I could go on for pages and pages!
8. If you weren’t a singer, what profession would you be in?
I had really considered going into Equine Science. I was a competitive horseback rider when I was younger and loved working with animals. I had always dreamed of being part of the equestrian Olympic team… granted I was never THAT skilled a rider.  I could always be a teacher. And, following the theme above, I would absolutely go to culinary school and open my own restaurant. I think a breakfast and lunch place would be perfect!
9. What role do you wish you could sing that you could never sing because it’s the wrong voice type/gender?
Macbeth because it’s just amazing for the baritone; how amazing would it be to be a Verdi baritone – that’s just cool! Carmen and Dalilah would be two of my first choices if I could be a mezzo again. I miss singing that rep. Juliette if for nothing other than the poison aria. 
10. Describe your favorite moment on stage.
My debut was in Il Trovatore as Leonora and it was opening night. I was singing the D’amor and when I finished that section the audience applauded into the Miserere section, which was almost surreal, and when I finished the audience was absolutely silent. I remember thinking “What do I do…. Stay in character, don’t lose, it just go on…” so I went on to the cabaletta and when that finished the audience went a little crazy. I have never been so humbled and moved by a response. It was then that I realized every time I was on stage it was my responsibility to tell the story in such a way that it was a journey.
Bonus: One question you wish someone would ask you (and the answer).
What’s been your most embarrassing moment on stage? 
I was a freshman in high school and it was closing night of Hello, Dolly and the eve of my 13th birthday. I was in the chorus and we were in the midst of “Put on Your Sunday Clothes.” At my high school we built all of our sets, so this one had a runway out into the audience that helped create a pit. More of a crescent shape then runway. I came around the front as we were crossing each other and instead of brushing my foot alongside the toe board, I stepped on top of it and à la Wile E Coyote (minus the sign that said OH S#!@) into the front row of the audience. I popped up, looked left and right, then found my exit and exited quickly. I had a gash on my leg and my toe hurt (it was broken but I didn’t know or care at that time), but I got back out on stage within about one scene. That night was the cast party and that evening’s performance had been taped, so we watched me fall off the stage over and over again, in time, fast forward and of course SLOWMO! So, for anyone who has ever asked that question of “what happens if….?” The answer is you get back up and get out there and laugh at yourself when it’s all over.
P.S. There was also a surprise party for me that night at the cast party…I was laughing the whole entire night.


See Alexandra in Madison Opera’s production of Verdi’s A Masked Ball (Un Ballo in Maschera) October 26 and 28 at Overture Hall. Tickets start at just $18!

Ten Questions with William Joyner

Ten Questions with…

William Joyner, tenor
King Gustav III
in A Masked Ball


1. My favorite thing about being a singer is:

Discovering, through the marriage of text, music, and colleagues, who my characters are, and then letting the audience in on that discovery. 
2. The greatest challenge in being a singer is:
Part of me wants to say, “Knowing that you’re only as good as your last performance.” But the truth is, the greatest challenge is to maintain proper balance between one’s professional and personal lives. I have no idea how many of my children’s “major events” I have missed.
3. A live music performance I’ve attended that I will never forget is:
Dwight Yoakam, January 2010 in Atlantic City. Awesome! 
4. A few of my favorite films are:
Saving Private Ryan, Monty Python and the Holy Grail, and pretty much anything to do with baseball. 
5. Three things I can’t live without are:
Internet, intellectual curiosity, and hugs from my daughters. 
6. My number one hobby is:
A while back, I would have said surfing the internet, but I’ve recently discovered writing. 
7. If you could perform with any singer, retired or deceased, who would it be?
Giuseppina Strepponi. I’d love to have been able to meet Mrs. Verdi.
8. If you weren’t a singer, what profession would you be in?
I think I’d like to be a sportswriter, specifically a columnist. Either that, or I’d have gone into the family business and become a lawyer. And I adore baseball, but I wasn’t very good at it. 
9. What role do you wish you could sing that you could never sing because it’s the wrong voice type/gender?
Méphistophélés in Gounod’s Faust. He’s evil, but not mean… And he has so much FUN! 
10. Describe your favorite moment on stage.
Singing the role of Des Grieux in Massenet’s Manon at La Scala. 
Bonus: One question you wish someone would ask you (and the answer).
How many pairs of cowboy boots do you own?
Four. 😉


See Bill in Madison Opera’s production of Verdi’s A Masked Ball (Un Ballo in Maschera) October 26 and 28 at Overture Hall. Tickets start at just $18!


Keely Futterer

Rosina, The Barber of Seville

Hometown: Dover, AR
Madison Opera Debut: Léontine, The Anonymous Lover (2024)

Recently: Anna Sørenson, Silent Night (Wolf Trap Opera); Musetta, La Bohème; Armida, Rinaldo; Charlene, Service Provider; Jazz Trio, Trouble in Tahiti (Minnesota Opera);
Armida, Rinaldo; Vanderdendur, Candide; Angostura, Tenor Overboard (Glimmerglass Festival);
Rodelinda, Rodelinda (Hudson Hall); Fiordiligi, Così fan tutte (Opera Memphis);

Upcoming: Marcellina, Leonora (Chicago Opera Theater);
Fiordiligi, Così fan tutte (Virginia Opera); Verdi Requiem (Erie Philharmonic)


Weston Hurt

Baritone, Opera in the Park

Hometown: Spring, TX
Madison Opera Debut: Germont, La Traviata (2019)

Recently: Sharpless, Madama Butterfly (Houston Grand Opera, New Orleans Opera);
Britten's War Requiem (Opera Roanoke); Scarpia, Tosca (Arizona Opera);
Germont, La Traviata (Lyric Opera of Kansas City); Nabucco, Nabucco (Seattle Opera)

Upcoming: Rigoletto, Rigoletto (English National Opera)

Joshua Sanders

Tenor, Opera in the Park

Hometown: Plain, WI
Madison Opera Debut: Giuseppe, La Traviata (2011)
Also at MO: Tobias Ragg, Sweeney Todd; Inmate, Dead Man Walking; Ensemble, Acis and Galatea

Recently: Count Almaviva, The Barber of Seville; Romeo, Romeo and Juliet (Opera San José);
Tamino, The Magic Flute (Nashville Opera); Sam Clay, The Amazing Adventures of
Kavalier & Clay
workshop (Metropolitan Opera)

Upcoming:  Victorin, Die tote Stadt (Boston Symphony Orchestra)

Sachie Ueshima, wearing black in front of a stone staircase.
Sachie Ueshima

Zerlina, Don Giovanni

Hometown: Wakayama City, Japan
Madison Opera Debut
Former Madison Opera Studio Artist

Recently: Cio-Cio-San, Madama Butterfly (Virginia Opera); Violetta, La Traviata;
Krystyna Zywulska, Two Remain (UW-Madison)

Upcoming: Cio-Cio-San, Madama Butterfly (Kentucky Opera)


David Walton

Count Almaviva, The Barber of Seville

Hometown: Twin Cities, MN
Madison Opera Debut: Opera in the Park 2017
Also at MO: Belmonte, The Abduction from the Seraglio

Recently: Ferrando, Così fan tutte (Princeton Festival); Ramiro, La Cenerentola (Toledo Opera);
Count Almaviva, The Barber of Seville (North Carolina Opera);
Frederic, The Pirates of Penzance (Opera San Antonio); Filippo, Deceit Outwitted (Sarasota Opera)

Upcoming: Count Almaviva, The Barber of Seville (Minnesota Opera); Candide, Candide (South Florida Symphony);
Don Ottavio, Don Giovanni (Livermore Valley Opera)

Emily Fons

Donna Elvira, Don Giovanni

Hometown: Milwaukee, WI
Madison Opera Debut: Opera in the Park 2012
Also at MO: Opera in the Park 2024; Rosina, The Barber of Seville (2015)

Recently: Nicklausse, The Tales of Hoffmann (Palm Beach Opera);
Rosina, The Barber of Seville (Cincinnati Opera, Santa Fe Opera);
Woman, Ghosts (San Diego Opera); Cherubino, The Marriage of Figaro (Canadian Opera Company);
Hansel, Hansel and Gretel (New Orleans Opera)

Upcoming: Princess Irene, Tamerlano (Haymarket Opera)


Kanopy Dance

María de Buenos Aires

Hometown: Madison, WI
Madison Opera Debut: Acis & Galatea (2013)
Recently at MO: Florencia en el Amazonas; Trouble in Tahiti / The Seven Deadly Sins


Lisa Thurrell

Choreographer, María de Buenos Aires

Hometown: Madison, WI
Madison Opera Debut: Florencia en el Amazonas (2018)
Recently at MO: The Anonymous Lover, Trouble in Tahiti / The Seven Deadly Sins
Co-Artistic Director of Kanopy Dance

Recently: Director and Choreographer, Winter Fantasia: Reimagined; Polaris + Revelations;
The Next Generation;
Confluence: A Prelude; Graham: In Her Voice; Shades of Light (Kanopy Dance);
Choreographer, Bluebeard's Castle (Des Moines Metro Opera)

Upcoming: Director and Choreographer, Inner Passages (Kanopy Dance);
Choreographer, The Cunning Little Vixen (Des Moines Metro Opera)


Kirstin Chávez

El Duende, María de Buenos Aires

Hometown: Kuala Lumpur, Malaysia / Albuquerque, NM
Madison Opera Debut: Opera in the Park 2006

Recently: Glenda, We Shall Not Be Moved (Pittsburgh Opera); Verdi's Requiem (Pensacola Symphony);
Carlotta de Obragón, Zorro (Fort Worth Opera); Suzuki, Madama Butterfly (Dallas Opera);
Mozart's Requiem (Paducah Symphony); Carmen, Carmen (St. Barth's Music Festival)

Upcoming: Carmen, Carmen (Kentucky Symphony Orchestra); Carmen, Carmen Inside Out (the film)


Ryan Nash

Sergeant, The Barber of Seville

Hometown: Longmeadow, MA
Madison Opera Debut
Madison Opera Studio Artist

Recently: Gherardo, Gianni Schicchi (American Gothic Performing Arts Festival); Frederic, The Pirates of Penzance (Madison Savoyards);
Mercurio, La Calisto; Gastone, La Traviata; Albert Herring, Albert Herring (UW Madison Opera);
Rinuccio, Gianni Schicchi (La Musica Lirica USA); Alfred, Die Fledermaus; Monostatos, The Magic Flute (UMass Opera)

Upcoming: Tamino, The Magic Flute (Opera for the Young)


John DeMain

Conductor: Opera in the Park, The Barber of Seville, Don Giovanni

Hometown: Youngstown, OH
Madison Opera Debut: The Magic Flute (1995)
Recently at MO: Candide, Tosca, Trouble in Tahiti / The Seven Deadly Sins, Salome


Rebecca Herman

Stage Director, The Barber of Seville

Hometown: Austin, TX
Madison Opera Debut

Recently: Carmen (Austin Opera); Don Giovanni (Opera Colorado, Cincinnati Opera);
Un Cuento de Luces y Sonmbras
(LOLA); La Bohème (Glimmerglass Opera);
The (R)evolution of Steve Jobs (Utah Opera, Calgary Opera)

Upcoming: The (R)evolution of Steve Jobs (Washington National Opera); New Opera Workshop, We Might be Struck by Lighting (LOLA)


Fenlon Lamb

Stage Director, Don Giovanni

Hometown: Princeton, NJ
Madison Opera Debut:
La Traviata (2019)
Recently at MO: Lucia di Lammermoor

Recently: La Fanciulla del West (Central City Opera); The Elixir of Love, Così fan tutte (Palm Beach Opera);
The Marriage of Figaro
(Portland Opera); Carmen (Opera Santa Barbara);
Charlie Parker's Yardbird (Dayton Opera); La Bohème (New Orleans Opera); Mozart and Salieri (Opera San Jose)


Kamna Gupta

Conductor, María de Buenos Aires

Hometown: St. Genis-de-Puilly, France
Madison Opera Debut

Recently: The Pearl Fishers (Vancouver Opera); In Our Daughter's Eyes (LA Opera / BMP);
Number Our Days (Perelman Performing Arts Center); Glory Denied (Cleveland Institute of Music);
Rocking Horse Winner (Tapestry Opera); The Rip Van Winkles (Glimmerglass Festival)

Upcoming: Ruinous Gods (Spoleto Festival USA)


Frances Rabalais

Stage Director, María de Buenos Aires

Hometown: New Orleans, LA
Madison Opera Debut: Tosca (2023)

Recently: Macbeth (Resonance Works); Hansel and Gretel (Opera Birmingham);
The Magic Flute (North Carolina Opera); The Barber of Seville (Pensacola Opera)


Charles Eaton

Don Giovanni, Don Giovanni

Hometown: Storrs, CT
Madison Opera Debut: Moralès, Carmen (2017)
Recently at MO: Count Malcolm, A Little Night Music

Recently: Ponchel, Silent Night; Brother, The Seven Deadly Sins (Wolf Trap Opera); Schaunard, La Bohème;
Sam, Trouble in Tahiti; Masetto, Don Giovanni; Argante, Rinaldo (Minnesota Opera);
Fedorov, The Christmas Spider (Opéra Louisiane, Marble City Opera);
English Ambassador, The Ghosts of Versailles (Royal Opera Versailles);
Marcello, La Bohème (Imperial Symphony Orchestra)

Upcoming: Mercutio, Romeo & Juliet (Minnesota Opera);
Silvio, Pagliacci (Pensacola Opera)


Jeremiah Sanders

Leporello, Don Giovanni

Hometown: Marian, IN
Madison Opera Debut

Recently: Marcello, La Bohème; Beau, Service Provider; Jazz Trio, Trouble in Tahiti;
Hortensius, The Daughter of the Regiment; Mago, Rinaldo;
Abilenes's Father / Bryce's Father, Edward Tulane (Minnesota Opera);
Colline, La Bohème (Lyric Opera of the North); Lackey, Ariadne auf Naxos (Lakes Area Music Festival);
Charlie, Three Decembers (South Bend Lyric Opera); The Villains, The Tales of Hoffmann (Union Avenue Opera)


Ashraf Sewailam

The Commendatore, Don Giovanni

Hometown: Cairo, Egypt / San Francisco, CA
Madison Opera Debut:
Captain, Florencia en el Amazonas (2018)

Recently: Dr. Bartolo, The Barber of Seville (Des Moines Metro Opera, Seattle Opera);
Dr. Bartolo, The Marriage of Figaro (New Orleans Opera); Sparafucile, Rigoletto (Opera San Jose);
Giove, La Calisto (Opera Memphis)

Upcoming: Dr. Bartolo, The Barber of Seville (Lyric Opera of Kansas City);
Dulcamara, The Elixir of Love (New Orleans Opera)


Andrew Stenson

Don Ottavio, Don Giovanni

Hometown: Rochester, MN
Madison Opera Debut: Opera in the Park 2021

Recently: Pong, Turandot (Metropolitan Opera); Bill, Flight; The Steersman, The Flying Dutchman (Dallas Opera);
Pang, Turandot (Houston Grand Opera); Don Ottavio, Don Giovanni (Seattle Opera);
Nemorino, The Elixir of Love (Seattle Opera, Minnesota Opera, Florentine Opera);
Count Almaviva, The Barber of Seville (Opera Colorado, Garsington Opera);
Nikolaus Sprink, Silent Night; Tamino, The Magic Flute (Utah Opera);
Fadinard, The Italian Straw Hat (Minnesota Opera); Danny Chen, An American Soldier (Opera Theatre of St. Louis)

Headshot of Hailey Cohen
Hailey Cohen

Berta, The Barber of Seville

Hometown: Edgemont, NY
Madison Opera Debut: Dorothée, The Anonymous Lover (2024)
Also with MO: Paquette, Candide
Madison Opera Studio Artist

Recently: Zita, Gianni Schicchi (Finger Lakes Opera); Hattie, American Gothical (Cedar Rapids Opera);
Sally, The Boy Who Wanted to be a Robot; K., Would You Eat Me? (Thompson Street Opera)


Lifan Deng

Fiorello, The Barber of Seville
Masetto, Don Giovanni

Hometown: Shenzhen, China
Madison Opera Debut
Madison Opera Studio Artist

Recently: Voce 2, Il Nostro Posto nel Mondo (Thompson Street Opera Company);
The Police Agent / Mr. Kofner, The Consul (Third Eye Ensemble);
Don Alfonso, Così fan tutte; Kaiser Overall, Der Kaiser von Atlantis (Northwestern Opera Theater);
Old Adam Goodheart, Ruddigore; Carpenter's Mate, H.M.S. Pinafore (The Gilbert & Sullivan Opera Company);
Olin Brett, The Music Man (Metropolis Performing Arts Centre)

Upcoming: Papageno, The Magic Flute (Opera for the Young)


Laureano Quant

El Payador, María de Buenos Aires

Hometown: Barranquilla, Colombia
Madison Opera Debut

Recently: Schaunard, La Bohème (Wolf Trap Opera); Foreman, Jenufa; Dancaïre, Carmen;
Count of Lerma, Don Carlo (Lyric Opera of Chicago); Escamillo, Le tragedie de Carmen;
Guglielmo, Così fan tutte (The Opera Next Door); Betto, Gianni Schicchi (Ópera de Colombia);
Demetrius, A Midsummer Night's Dream; Captain / Ragotsky, Candide (Orquestra Filarmónica de Bogotà)

Upcoming: Belcore, The Elixir of Love (New Orleans Opera);
Bill, Aufsteig und Fall der Stadt Mahgonny (Staatsoper Stuttgart)


Kelly Guerra

María, María de Buenos Aires

Hometown: Los Angeles, CA
Madison Opera Debut

Recently: María, María de Buenos Aires (Kentucky Opera); Lupita, Cruzar la Cara de la Luna;
Carlotta de Obragón, Zorro (Opera Santa Barbara); Renata, Cruzar la Cara de la Luna (West Edge Opera);
Rosina, The Barber of Seville (Princeton Festival); Ruth Bader Ginsburg, Scalia/Ginsburg (Chautauqua Opera);
Luisa Fernanda, Luisa Fernanda (Opera Hispánica, Opera Williamsburg)

Upcoming: Una Niña, Ainadamar (Metropolitan Opera); Jo, Little Women (Fort Worth Opera);
Isabella, L'Italiana in Algeri (Opera in the Heights); Mrs. Fox, Fantastic Mr. Fox (Opera Omaha)


Alex Taylor

Don Basilio, The Barber of Seville

Hometown: Beloit, WI
Madison Opera Debut: Mother, The Seven Deadly Sins (2023)

Recently: Green Shirt Guy, Mel Rides the Bus Alone (Pittsburgh Opera);
Sarastro, The Magic Flute; Dr. Bartolo, The Marriage of Figaro (Carnegie Mellon University)


Levi Hernandez

Dr. Bartolo, The Barber of Seville

Hometown: El Paso, TX
Madison Opera Debut: Papageno, The Magic Flute (2006)
Recent at MO: Alvaro, Florencia en el Amazonas; Opera in the Park 2018

Recently: Diego Rivera, El Último Sueño de Frida y Diego (Opera Omaha);
Tonio, Pagliacci (Hawaii Opera Theatre); Dandini, La Cenerentola (Boston Lyric Opera);
Peter, Hansel and Gretel (Opera San Antonio); Lescaut, Manon Lescaut (North Carolina Opera)

Upcoming: Lescaut, Manon Lescaut (Washington National Opera); Benoit/Alcindoro, La Bohème (Lyric Opera of Chicago);
Alvaro, Florencia en el Amazonas (North Carolina Opera)


Benjamin Taylor

Figaro, The Barber of Seville

Hometown: Waldorf, MD
Madison Opera Debut:
Silvio, Pagliacci (2018)

Recently: Bello, La Fanciulla del West (Bayerische Staatsoper); Moralès, Carmen (Metropolitan Opera);
Guglielmo, Così fan tutte (Princeton Symphony); Jan Nyman, Breaking the Waves (Detroit Opera);
Silvio, Pagliacci (Austin Opera)

Upcoming: Marcello, La Bohème (Arizona Opera); Jake, Porgy and Bess (Washington National Opera);
Schaunard, La Bohème (Charleston Opera Theater)


Katerina Burton

Donna Anna, Don Giovanni

Hometown: Ocean City, MD
Madison Opera Debut: Opera in the Park 2024

Recently: Mimì, La Bohème; Verna/Young Lovely/Evelyn, Fire Shut Up in My Bones (Opera Theatre of Saint Louis); JFK: The Last Speech
(National Symphony Orchestra); Britten’s War Requiem (Strathmore Music Center);
Russian Chamber Art Society; Postclassical Ensemble Concert (The Kennedy Center); Girlfriend 2, Blue;
Micaëla, Carmen (Washington National Opera); Alice Ford, Falstaff (Aspen Music Festival);