Waiting in the Overture Center lobby for my ride after the dress rehearsal last night, I overheard a high-school aged student (likely an orchestra member’s kid) in conversation actually say, “I never knew opera could be funny.” It may have been more like, “Like, seriously, I never knew opera could be funny, and I mean, I LOVE Mozart.” It was music to my ears…seriously.
Curtain call for the principals at last night’s dress rehearsal for Cosi
“Opera Up Close: The Cosi fan Tutte Preview” is now available online. Brush up your Mozart before tomorrow night by viewing the presentation here (you’ll be asked to open the file; just click OK and it will start playing in your RealPlayer).
Last night was the first dress rehearsal with full orchestra in the Capitol Theater. I snapped the above photo before things got underway in the beautiful space. Check out more scenes from yesterday below:
Lorenzo da Ponte–the infamous librettist of Cosi fan Tutte, Le Nozze di Figaro, and Don Giovanni–turns 260 today! A nod to Milan-based opera blogger OperaChic for the heads-up, and I think her words are most appropriate for the occasion:
On March 10 — of the year 1749, but it doesn’t really matter because his art is still so present and his genius is still so new — Emanuele Conegliano was born, son of Rachele and Geremia, brother of Baruch and Anania, the future Lorenzo Da Ponte, Abate Da Ponte, lecherous priest, brothel owner, poet, court librettist for Mozart and Salieri, writer of that trilogy, naturalized American citizen and New Yorker (he used to call his adoptive city “Nova Iorca”, which Opera Chic finds terribly cool), impresario, Bowery grocer, Columbia University professor, memoirist, Greatest Italian Playwright Who Ever Lived (and that includes Goldoni and Pirandello).
“It’s a battle of the sexes in Mozart’s Cosi.” Lindsay Christians talks to director Kristine McIntyre and conductor Kelly Kuo for 77 Square.
“A rising star returns home.” Brava Magazine profiles soprano Mary Mackenzie.